Time is of the essence today, so I’ll keep this relatively short. This is a normal 1968 show, so it’s good. We open with Good Morning Little Schoolgirl, and the levels are all messed up, with Phil drowning out everyone in the mix. But, you get to hear Phil lay it down with authority, which is a wonderful experience. Phil levels off after this, but there are still problems hearing the vocals and Bob’s guitar throughout the show.
Turn on Your Lovelight is good in places but doesn’t overwhelm, and this Dark Star is a generic 1968 Dark Star, which is, again, very nice indeed. On to St. Stephen, and, more importantly, The Eleven>Caution (Do Not Step on Tracks). This is the meat of the show – a very spirited The Eleven and a huge Caution that carpet bombs the audience with sound. Caution fades into Feedback to end the show.
As I’ve said before, when you’re dealing with the Dead in the 60’s, most of what you’re getting is good, and this show is no exception. I disagree with the commentators who say this is one the best, but it’s a good 1968 show, and that makes all the difference. (It’s also the last time that the Dead will play the Greek until 1981, so there’s that, too).
Check it out here: https://archive.org/details/gd68-10-20.sbd.miller.21441.sbeok.shnf