If you’re not tolerant of audience recordings, then you’d might as well skip today’s free concert from Central Park in New York City, because the recording of this show is sub-standard. However, if you’re willing to listen through the hiss and the muck, you’re in for a nice treat – a powerful, dynamic performance by the Grateful Dead at the height of their psychedelic powers.
The actual playlist for this show is as murky as the recording itself – Deadbase says one thing, Deadlists says another. But this audience recording (which was rearranged to match Deadlist) holds itself out as the complete version in the correct order, so accept that at your own risk.
Oddly, this show could also be the live debut of Casey Jones. Why do I say could? Because Deadbase lists June 20th as the debut, and Deadlists is non-committal. Assuming that Deadbase is correct, this would be the second performance of this classic song, and, in that case, it’s worth hearing in full since it starts from a full out jam that doesn’t morph into Casey Jones proper for several minutes. In addition, the rhythm of the song differs dramatically from what it would become, making this performance a relatively rare and raw version.
The Dead also play a couple of real rarities today – one of ten Silver Threads and Golden Needles (with Jerry on peddle steel) and one of twelve It’s a Sin. Both of these aren’t perfect performances, but rarities are rarities, and, in the case of It’s a Sin, the song is stuck into St. Stephen right before the jam usually explodes, so don’t expect much there. It’s also cool to hear Jerry sing the blues – he didn’t do it enough with the Dead.
If you’re searching for the power in today’s performance, you’ll find it in the heavy jams on Dancin’ in the Streets and The Other One. These are both really strong efforts, if a little messy. The show-closing Turn on Your Lovelight goes pretty far out and gets pretty loose, but hey, the Dead are playing to a free crowd in Central Park, so why not?
Once your ears get used to the audio, I think that you’ll enjoy what’s going on here. But it definitely takes getting used to. (If you don’t want your cubicle mates to hear a bunch of cursing, keep the volume low at the start – New Yorkers don’t like it when people get in their way, as you’ll hear loud and clear). Listen to this unique performance in all its ragged glory here: https://archive.org/details/gd69-06-22.aud.hanno.8836.sbefail.shnf/gd69-06-22d2t05.shn